55 Cassandra Clare Quotes You Should Read Before You Die
Enjoy the best of Cassandra Clare quotes. Quotes by Cassandra Clare, American Author.
‘Have you fallen in love with the wrong person yet?’
Jace said, ‘Unfortunately, Lady of the Haven, my one true love remains myself.’
…”At least,” she said, “you don’t have to worry about rejection, Jace Wayland.”
“Not necessarily. I turn myself down occasionally, just to keep it interesting.”
Only the very weak-minded refuse to be influenced by literature and poetry.
Sarcasm is the last refuge of the imaginatively bankrupt.
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Life is a book and there are a thousand pages I have not yet read.
Will looked horrified. “What kind of monster could possibly hate chocolate?”
You’re a reader as well as a writer, so write what you’d want to read.
Continue reading the best of Cassandra Clare quotes
People aren’t born good or bad. Maybe they’re born with tendencies either way, but its the way you live your life that matters.
“Not everything is about you,” Clary said furiously.
“Possibly,” Jace said, “but you do have to admit that the majority of things are.”
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I am a badass, and I recognize that you, too, are a badass.
If no one in the entire world cared about you, did you really exist at all?
“You could have had anything else in the world, and you asked for me.”
She smiled up at him. Filthy as he was, covered in blood and dirt, he was the most beautiful thing she’d ever seen.
“But I don’t want anything else in the world.”
This is a quote from Cassandra Clare’s book ‘City of Glass’ which you can purchase on Amazon for a low price
“Can I help you with something?”
Clary turned instant traitor against her gender. “Those girls on the other side of the car are staring at you.”
Jace assumed an air of mellow gratification. “Of course they are,” he said, “I am stunningly attractive.”
That does it,” said Jace. “I’m going to get you a dictionary for Christmas this year.”
“Why?” Isabelle said.
“So you can look up ‘fun.’ I’m not sure you know what it means.
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There are not that many parts for actors who are not white – even less substantive ones.
I think the main thing to remember when writing a novel is to stay true to the characters.
‘City of Fallen Angels’ ended on a cliffhanger. That was equally loved and hated by my readership.
If you are wondering what this cliffhanger was like, why not buy this book from Amazon?
And write what you love – don’t feel pressured to write serious prose if what you like is to be funny.
I have specific playlists for different books and characters. So, I need to have those with me. It helps me get into the mindset of the book.
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I work on a word count basis, so I have to write three thousand words a day. I can write them in the morning, I can write them in the evening; as long as they get done.
Nobody sells books like J.K. Rowling. We have a rule in publishing: Never compare anything to ‘Harry Potter’ because it’s like lightning in a bottle.
There are so many stories about boys becoming heroes, learning their powers and becoming incredibly heroic. There have to be those stories for girls, too.
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I get a lot of inspiration from research in mythology and folklore. I find that, you know, stories people told each other thousands of years ago are still relevant now.
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When I started ‘City of Bones,’ I knew exactly what was going to happen in ‘City of Glass.’ When I first started the six-book series, I thought of it as a three-book series.
“One of the Silent Brothers is here to see you. Hodge sent me to wake you up. Actually he offered to wake you himself, but since it’s 5 a.m., I figured you’d be less cranky if you had something nice to look at.”
“Meaning you?”
“What else?”
This is a quote from Cassandra Clare’s book ‘City of Bones’ which you can purchase on Amazon for a low price
Perfect heroines, like perfect heroes, aren’t relatable, and if you can’t put yourself in the protagonist’s shoes, not only will they not inspire you, but the book will be pretty boring.
As long as they’re making beloved books into movies, people are going to be like, ‘That’s not my mental image of them.’ It takes that moment for it to click and become their mental image.
You put books out into the world, and people form their own visuals and images and attachments to characters; those characters become part of them, and they have their feelings about them.
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There’s a stigma that guys hate romance and hate love, but that’s not true. Look at ‘Iron Man.’ There’s a whole through-line plot about his relationship with Pepper, and everybody loves it.
No matter how many books you’ve written, whenever you sit down to write a new book, you always feel the same challenge – how do you shape this story into a book that people are going to love.
In other people’s books, I tend to love the really daredevil-y characters. I love Finnick from ‘The Hunger Games.’ And I think, probably, my favorite character of all time is Sherlock Holmes.
I grew up in L.A., and I worked for ‘The Hollywood Reporter.’ I knew enough about the business to know that the usual role of the author on a movie is to get out of the way and not say anything.
Creating characters is like throwing together ingredients for a recipe. I take characteristics I like and dislike in real people I know, or know of, and use them to embellish and define characters.
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I think that ‘City of Heavenly Fire’ is definitely a book where all the characters are tested to their limits, and they have to make really significant choices about who they are and who they wanna be.
I try to answer all my fan mail. Sometimes I get questions from people who obviously only read the Wiki but haven’t read the books. I’m like, ‘But you have to read the book or you’re not going to get it.’
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I firmly believe that you can’t get a good movie without risking a bad movie. A good adaptation of your book is worth it because it is such a wonderful experience to see your world translated onto the screen.
In the same way that so many people read ‘Harry Potter’ and went to see ‘Harry Potter,’ just because a movie is about a kid, doesn’t mean it’s for kids, and just because a movie is about a girl, doesn’t mean it’s for girls.
We as artists are actively encouraged – by other authors, your agent, publisher, and society – not to think about money, strategy, how to manage your career, how to create a brand, because we’re supposed to focus on the art.
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I tend to write in coffee shops and restaurants with friends of mine because if I’m at home, I get distracted by the television or the cats or my husband, or… you know – all of those things that make it easy to procrastinate.
Music actually inspires me a lot. I listen to a lot of music, and often I find that if I can associate mentally a song or a piece of music with a particular character or scene, it helps me get back into the head of that character.
We live and breathe words. …. It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt–I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted–and then I realized that truly I just wanted you.
This is a quote from Cassandra Clare’s book ‘Clockwork Prince’ which you can purchase on Amazon for a low price
For me, the triad of ‘Harry Potter,’ ‘The Hunger Games’ and ‘Twilight’ feature strong women, and as a declared feminist, it’s a wonderful thing. These women have really opened up this particular world of storytelling, which I’m very grateful for.
A lot of people have asked me about some of the characters that appear in ‘Clockwork Prince,’ like Aloysius Starkweather and Woolsey Scott. A lot of people like Woolsey Scott, which I was really happy about because he’s very fun to write.
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In my own work, I don’t have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from ‘The Mortal Instruments,’ and also Tessa from ‘The Infernal Devices.’ They’re more sort of bookish and shy characters.
I believe that writer’s block is a symptom. It’s not a disease, it’s the symptom of a disease. So what I try to do is kind of do it like ‘House’; write down the symptom and write down the other symptoms. Try to work backwards to figure out what the problem is.
I am in the U.K. for inspiration because I’m doing a follow on series to ‘The Infernal Devices,’ called ‘The Last Hours.’ It’s a re-telling of ‘Great Expectations’ with ‘Shadowhunters’… because why not! It’s set in 1903, so I’m doing a lot of locational research.
You know that I had heard so many times people say things like, ‘You could never write ‘Harry Potter’ and have it be about Harriett Potter because nobody would read it; people only want to read an adventure story if it’s about a boy,’ and I thought, ‘I don’t think that’s true.’
I think as women we’ve always been very used to growing up reading and identifying with male protagonists, especially in fantasy. There’s a saying in publishing that girls will read about boys, but boys will only read about boys, and it’s important to give women strong heroines.
Read everything! Don’t just read things that are in your comfort zone or things that you think you’re already going to like. Experiment; try new stuff and try new genres. If you read a lot of romance, then start reading mystery. If you read a lot of mystery, start reading fantasy.
When a movie is being made out of a book, there is a mixed reaction on the part of fans because they are both extremely excited and they are also terrified. ‘They are going to take my story, and they are going to mess it up; they are going to ruin it; they’re going to do this; they’re going to do that.’
Write every day. Don’t kill yourself. I think a lot of people think, ‘I have to write a chapter a day’ and they can’t. They fall behind and stop doing it. But if you just write even one hundred words a day, it’s not that much. By the end of a month, you’ll have three thousand words, which is one chapter.
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